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Theatre The following classes are open to all students: THEA 2311 , THEA 2319 , THEA 2321 , THEA 3312 , THEA 3313 , THEA 3314 , THEA 3316 , THEA 3318 , THEA 3381 , THEA 3382 , THEA 4381 , THEA 4382 , THEA 4383 , THEA 4384 , THEA 4385 , THEA 5319 . Note: There are no performance opportunities for nontheatre majors.
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THEA 4362 - Stage Management 2
Credits: 3
Fuller explanation of the methods and techniques of theatrical stage management. Prerequisites: THEA 3361 , THEA 3362 .
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THEA 4363 - Production Management
Credits: 3
Introduces the role of the production manager for live entertainment, including budgeting, scheduling, and business aspects.
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THEA 4376 - Lighting Automation I
Credits: 3
Presents approaches to lighting design and poses specific design problems for the students to solve, with attention given to color composition, cueing, and production values. Focuses on Vari-Lite, Robe, and Martin experimentation.
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THEA 4381 - Studies in Theatre, Drama, and Performance
Credits: 3
An examination of selected topics in theatre, drama, and performance. Texts, topics, and critical approaches vary.
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THEA 4382 - Studies in Theatre, Drama, and Performance
Credits: 3
An examination of selected topics in theatre, drama, and performance. Texts, topics, and critical approaches vary.
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THEA 4383 - Studies in Theatre, Drama, and Performance
Credits: 3
An examination of selected topics in theatre, drama, and performance. Texts, topics, and critical approaches vary.
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THEA 4384 - Studies in Theatre, Drama, and Performance
Credits: 3
An examination of selected topics in theatre, drama, and performance. Texts, topics, and critical approaches vary.
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THEA 4385 - Studies in Theatre, Drama, and Performance
Credits: 3
A senior-level, interdisciplinary seminar that examines cultural production through the media of art, architecture, dramaturgy, festival, and theatre.
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THEA 4386 - European Theatre, 1879-1953
Credits: 3
A survey of major figures and movements in European theatre, beginning with the premiere of Ibsen’s “A Doll’s House” and culminating with the premiere of Beckett’s “Waiting for Godot.”
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THEA 4387 - Art and Drama in Classical Athens
Credits: 3
Intensive reading and discussion seminar focused on the relationships between the visual arts and dramatic performances as seen against the historical background of golden-age Athens during the fifth century B.C.
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THEA 4491 - Special Project 1
Credits: 4
Provides meaningful and challenging hands-on leadership experience in the design or technical area, bringing together 3 years of the student’s classwork, shop and studio experience, and growth.
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THEA 4492 - Special Project 2
Credits: 4
Provides meaningful and challenging hands-on leadership experience in the design or technical area, bringing together 3 years of the student’s classwork, shop and studio experience, and growth.
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THEA 4493 - Summer Theatre Workshop 1
Credits: 4
Students may engage in summer theatre work and gain credit toward degree completion. Enrollment and class credit must be obtained from the chair of the Division of Theatre and the program head.
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THEA 4494 - Summer Theatre Workshop 2
Credits: 4
Students may engage in summer theatre work and gain credit toward degree completion. Enrollment and class credit must be obtained from the chair of the Division of Theatre and the program head.
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THEA 5000 - Rehearsal and Performance Laboratory
Credits: 0
Embodied application in the processes of rehearsal and performance.
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THEA 5001 - Design Laboratory I
Credits: 0
Exploration of techniques in advanced design.
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THEA 5002 - Design Laboratory II
Credits: 0
Continuing exploration of techniques in advanced design.
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THEA 5003 - Design Laboratory III
Credits: 0
Continuing exploration of techniques in advanced design.
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THEA 5004 - Design Laboratory IV
Credits: 0
Continuing exploration of techniques in advanced design.
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THEA 5005 - Rehearsal and Performance Laboratory
Credits: 0
Embodied application in the processes of rehearsal and performance.
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THEA 5101 - Directed Study
Credits: 1
Directed study courses are not required and are taken only as needed; form and content are not predetermined. The student and the adviser decide what kind of activity or learning experience should occur. Before the end of the add-drop period, the student must arrange the course content and grading basis with the supervising faculty. Numbers are assigned to the student’s year status rather than by the subject matter.
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THEA 5103 - Projects I
Credits: 1
Performance/production workshops for first-year graduate acting students, directed by faculty.
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THEA 5104 - Projects II
Credits: 1
Performance/production workshops for first-year graduate acting students, directed by faculty.
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THEA 5106 - Singing for Actors
Credits: 1
Provides fundamental techniques for the embodiment and exploration of melody, rhythm, sustaining sound, shaping lyrics, etc.
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THEA 5201 - Directed Study
Credits: 2
Directed study courses are not required and are taken only as needed; form and content are not predetermined. The student and the adviser decide what kind of activity or learning experience should occur. Before the end of the add-drop period, the student must arrange the course content and grading basis with the supervising faculty. Numbers are assigned to the student’s year status rather than by the subject matter.
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THEA 5204 - Acting II
Credits: 2
Furthering the embodiment of a fundamental acting process through exercise, discussion, reading, improvisation, and scene study. Dramaturgical materials are drawn primarily from the works of Chekhov, Ibsen, and early modern American realism.
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THEA 5205 - Movement I
Credits: 2
Exploration of the actor’s self through immersion in physical skills for the theatre, including t’ai chi ch’uan, corporal mime, improvisation, juggling, hatha yoga, unarmed stage combat, animal-style wu shu, and foil fencing.
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THEA 5206 - Movement 2
Credits: 2
Exploration of the actor’s self through immersion in physical skills for the theatre, including t’ai chi ch’uan, corporal mime, improvisation, juggling, hatha yoga, unarmed stage combat, animal-style wu shu, and foil fencing.
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THEA 5207 - Voice for the Stage I
Credits: 2
Introduces basic principles of physical, vocal, and imaginative freedom through a series of progressive exercises and experiences. Encourages the removal of psychophysical barriers to sound production and develops the voice’s sensitivity to impulse, power, flexibility, and range. Includes organic exploration of sounds of speech, using IPA pillows and sound and movement improvisations. Students develop self-scripted solo pieces, explore poetry and song, and apply voice work to modern dramatic texts.
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THEA 5208 - Voice for the Stage II
Credits: 2
Introduces basic principles of physical, vocal, and imaginative freedom through a series of progressive exercises and experiences. Encourages the removal of psychophysical barriers to sound production and develops the voice’s sensitivity to impulse, power, flexibility, and range. Includes organic exploration of sounds of speech, using IPA pillows and sound and movement improvisations. Students develop self-scripted solo pieces, explore poetry and song, and apply voice work to modern dramatic texts.
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THEA 5209 - Applied Movement I
Credits: 2
Bodywork as it pertains to economy of movement, alignment, proper use, kinesthetic awareness, strength, flexibility, and freeing the physical instrument. Includes acrobatics, the Lecoq 20 movements, neutral mask, the physicalization of text, improvisation, and ensemble projects employing the physical work investigated throughout the term.
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THEA 5210 - Applied Movement II
Credits: 2
Continuation of bodywork as it pertains to economy of movement, alignment, proper use, kinesthetic awareness, strength, flexibility, and freeing the physical instrument. Includes acrobatics, the Lecoq 20 movements, neutral mask, the physicalization of text, improvisation, and ensemble projects employing the physical work investigated throughout the term.
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THEA 5215 - Text Analysis for Actors I
Credits: 2
Fundamentals of decoding play texts, from reading and comprehension to personalized embodiment, in order to facilitate and render efficiently imaginative the move of the actor. Dramaturgical focus falls on realism texts from the 19th and 20th centuries.
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THEA 5216 - Text Analysis for Actors II
Credits: 2
Decoding and embodying the texts of Shakespeare.
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THEA 5221 - Scene Design I
Credits: 2
An introductory course for designers focusing on the communication skills (visual and verbal) necessary for collaborating with the director and the other artists in the theatre. Includes a design seminar that explores the text relative to its literary, musical, social, and historical influences.
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THEA 5222 - Scene Design II
Credits: 2
An introductory course for designers focusing on the communication skills (visual and verbal) necessary for collaborating with the director and the other artists in the theatre. Includes a design seminar that explores the text relative to its literary, musical, social, and historical influences.
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THEA 5223 - Costume Design I
Credits: 2
An introductory course for designers with emphasis on the application of design principles and the use of research materials.
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THEA 5224 - Costume Design II
Credits: 2
An introductory course for designers with emphasis on the application of design principles and the use of research materials.
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THEA 5225 - Lighting Design I
Credits: 2
The fundamentals of learning how to see, exploring the mind’s eye, and painting with light. Includes translating theatrical moments and music into lighting sketches, storyboards, and atmospheres, and developing points of view and approaches. Also, the fundamentals of the tools of the lighting designer and assistant skills and techniques.
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THEA 5226 - Lighting Design II
Credits: 2
The fundamentals of learning how to see, exploring the mind’s eye, and painting with light. Includes translating theatrical moments and music into lighting sketches, storyboards, and atmospheres, and developing points of view and approaches. Also, the fundamentals of the tools of the lighting designer and assistant skills and techniques.
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THEA 5241 - Collaboration: Directors and Designers
Credits: 2
Team taught by directing and design faculty, this course emphasizes the building of a collaborative process among theatre artists. Students research historical collaborative relationships, create and conceptualize approaches to various texts, and familiarize themselves with the approaches of artists currently working in the theatre.
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THEA 5258 - Photoshop
Credits: 2
A continuation of the exploration of tools for computer image creation (e.g., AutoCAD, MiniCAD, and Adobe Photoshop) and their applications.
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THEA 5259 - Advanced Design Skills
Credits: 2
Students learn advanced skills in theatrical design practice, including hand drafting, theatrical model-making, set sketching, and digital tablet drawing. Also, fashion illustration and an introduction to textiles.
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THEA 5275 - Lighting Automation I
Credits: 2
Advanced study in the field of automated lighting and control systems.
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THEA 5298 - Product Research and Development I
Credits: 2
Script analysis, background research, and performance design for the actor, designer, director, and dramaturg.
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THEA 5299 - Production Research and Development II
Credits: 2
Script analysis, background research, and performance design for the actor, designer, director, and dramaturg.
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THEA 5301 - Directed Study
Credits: 3
Directed study courses are not required and are taken only as needed; form and content are not predetermined. The student and the adviser decide what kind of activity or learning experience should occur. Before the end of the add-drop period, the student must arrange the course content and grading basis with the supervising faculty. Numbers are assigned to the student’s year status rather than by the subject matter.
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THEA 5303 - Acting I
Credits: 3
Focuses on defining a fundamental acting process, identifying behavioral blocks, channeling impulses into uncluttered and organic psychophysical connections, and using the text as a blueprint for action. Combines a mix of exercise, improvisation, and scene study with materials drawn from modern American realism and the early modernist plays of Ibsen, Strindberg, and Chekhov.
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THEA 5304 - Acting II
Credits: 3
Focuses on defining a fundamental acting process, identifying behavioral blocks, channeling impulses into uncluttered and organic psychophysical connections, and using the text as a blueprint for action. Combines a mix of exercise, improvisation, and scene study with materials drawn from modern American realism and the early modernist plays of Ibsen, Strindberg, and Chekhov.
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THEA 5319 - History of Design
Credits: 3
How and why do elements of design describe a culture? Students study design elements and their role in various historical cultures, including the relationships among fashion, art, architecture, and the decorative arts of selected time periods. For majors and nonmajors.
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THEA 5321 - Topics in Design I: Lighting
Credits: 3
Presents approaches to lighting design and poses specific design problems for the students to solve, with attention given to color composition, cueing, and production values. Focuses on Vari-Lite, Robe, and Martin experimentation.
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THEA 5341 - The Art of Storytelling in Everyday Life
Credits: 3
Guides students towards a deeper understanding of ancient principles of narrative, while equipping them to identify and explore the stories that exist in their own lives. Developes personal, historical, contemporary, as well as biblical tales, and examines the creative nexus of the theology and mythology they all have in common. Students analyze stories from literature as well as the oral traditions, and discuss tales that exist in both the secular and the sacred realms. Moves students towards mastery of the foundational techniques of Story, and enables them to apply this knowledge in their chosen professions.
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THEA 5351 - Scene Design III
Credits: 3
A continuation of the study of scene design incorporating individual class projects with the intensive study of style and genre.
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THEA 5352 - Scene Design IV
Credits: 3
A continuation of the study of scene design incorporating individual class projects with the intensive study of style and genre.
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THEA 5353 - Costume Design III
Credits: 3
An intermediate course with emphasis on play analysis, character relationships, and techniques of presentation.
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THEA 5354 - Costume Design IV
Credits: 3
An intermediate course with emphasis on play analysis, character relationships, and techniques of presentation.
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THEA 5355 - Lighting Design III
Credits: 3
Continued study in the art of lighting design. Explores advanced atmosphere creation, professional techniques, and specialized approaches. Professional assistantships are assigned to selected students.
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THEA 5356 - Lighting Design IV
Credits: 3
Continued study in the art of lighting design. Advanced atmosphere creation, professional techniques, and specialized approaches are explored. Professional assistantships are assigned to select students.
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THEA 5357 - Designing with Computers: Stage Photography
Credits: 3
An exploration of the tools for computer image creation (e.g., AutoCAD, MiniCAD, and Adobe Photoshop) and their applications.
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THEA 5371 - Automated Lighting 2
Credits: 3
Students work with Vari-Lite, Robe, and Martin automated lighting fixtures while learning advanced programming skills.
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THEA 5373 - Draping I
Credits: 3
A study of pattern making that utilizes the three-dimensional approach of draping fabric on a dress form and the approach of drafting patterns by formula. Students learn to drape a basic bodice, skirt, and collars, to create a basic sleeve pattern by formula, and to manipulate these patterns to achieve a variety of shapes.
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THEA 5374 - Draping II
Credits: 3
Exploration of period dress from a draping point of view.
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THEA 5375 - Theatre Technology 5: Lighting Automation
Credits: 3
Advanced studies in the field of automated lighting and control systems. Students will explore top brands of intelligent lighting equipment, learning to program and provide simple repair and upkeep of equipment.
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THEA 5379 - Computer-Assisted Design I
Credits: 3
Students learn the fundamentals of computer-assisted design, using VectorWorks and Spotlight, in application for the theatre. Emphasizes 2-D work and includes 3-D work. Prerequisite: Knowledge of mechanical drawing and its conventions.
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THEA 5380 - Computer-Assisted Design II
Credits: 3
Uses VectorWorks as the primary drafting software, with a focus on modeling scenic and lighting designs, organization of the drawing layouts, rendering techniques, and lighting-specific CAD tools.
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THEA 5382 - Automated Lighting 3: Busking
Credits: 3
Focuses on creating a library of techniques that will permit the lighting designer to Busk.
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THEA 5398 - Production Research and Development I
Credits: 3
Script analysis, background research, and performance design for actors, designers, and directors.
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THEA 5399 - Production Research and Development II
Credits: 3
Script analysis, background research, and performance design for actors, designers, and directors.
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Trombone |
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TROM 3100 - Private Study: Trombone
Credits: 1
One half-hour lesson each week (14 per term) with a jury examination at the conclusion of each term. These repeatable course numbers are offered each fall, spring, and summer. Students are required to accept internships in performance or private teaching, subject to availability and/or scheduling conflicts with other SMU courses. Internships may begin prior to the beginning of the term.
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TROM 3200 - Private Study: Trombone
Credits: 2
One 1-hour lesson each week (14 per term) with a jury examination at the conclusion of each term. These repeatable course numbers are offered each fall and spring. Majors are required to enroll in private studies each term until degree requirements are completed. Students are required to accept internships in performance or private teaching, subject to availability and/or scheduling conflicts with other SMU courses. Internships may begin prior to the beginning of the term.
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Trumpet |
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TRPT 3100 - Private Study: Trumpet
Credits: 1
One half-hour lesson each week (14 per term) with a jury examination at the conclusion of each term. These repeatable course numbers are offered each fall, spring, and summer. Students are required to accept internships in performance or private teaching, subject to availability and/or scheduling conflicts with other SMU courses. Internships may begin prior to the beginning of the term.
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TRPT 3200 - Private Study: Trumpet
Credits: 2
One 1-hour lesson each week (14 per term) with a jury examination at the conclusion of each term. These repeatable course numbers are offered each fall and spring. Majors are required to enroll in private studies each term until degree requirements are completed. Students are required to accept internships in performance or private teaching, subject to availability and/or scheduling conflicts with other SMU courses. Internships may begin prior to the beginning of the term.
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Tuba |
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TUBA 3100 - Private Study: Tuba
Credits: 1
One half-hour lesson each week (14 per term) with a jury examination at the conclusion of each term. These repeatable course numbers are offered each fall, spring, and summer. Students are required to accept internships in performance or private teaching, subject to availability and/or scheduling conflicts with other SMU courses. Internships may begin prior to the beginning of the term.
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TUBA 3200 - Private Study: Tuba
Credits: 2
One 1-hour lesson each week (14 per term) with a jury examination at the conclusion of each term. These repeatable course numbers are offered each fall and spring. Majors are required to enroll in private studies each term until degree requirements are completed. Students are required to accept internships in performance or private teaching, subject to availability and/or scheduling conflicts with other SMU courses. Internships may begin prior to the beginning of the term.
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Violin |
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VIOL 3100 - Private Study: Violin
Credits: 1
One half-hour lesson each week (14 per term) with a jury examination at the conclusion of each term. These repeatable course numbers are offered each fall, spring, and summer. Students are required to accept internships in performance or private teaching, subject to availability and/or scheduling conflicts with other SMU courses. Internships may begin prior to the beginning of the term.
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VIOL 3200 - Private Study: Violin
Credits: 2
One 1-hour lesson each week (14 per term) with a jury examination at the conclusion of each term. These repeatable course numbers are offered each fall and spring. Majors are required to enroll in private studies each term until degree requirements are completed. Students are required to accept internships in performance or private teaching, subject to availability and/or scheduling conflicts with other SMU courses. Internships may begin prior to the beginning of the term.
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VIOL 5203 - Private Study: Violin
Credits: 2
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Viola |
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VLA 3100 - Private Study: Viola
Credits: 1
One half-hour lesson each week (14 per term) with a jury examination at the conclusion of each term. These repeatable course numbers are offered each fall, spring, and summer. Students are required to accept internships in performance or private teaching, subject to availability and/or scheduling conflicts with other SMU courses. Internships may begin prior to the beginning of the term.
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VLA 3200 - Private Study: Viola
Credits: 2
One 1-hour lesson each week (14 per term) with a jury examination at the conclusion of each term. These repeatable course numbers are offered each fall and spring. Majors are required to enroll in private studies each term until degree requirements are completed. Students are required to accept internships in performance or private teaching, subject to availability and/or scheduling conflicts with other SMU courses. Internships may begin prior to the beginning of the term.
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VLA 5201 - Private Study: Viola
Credits: 2
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Voice and Vocal Coaching |
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VOIC 3015 - Vocal Coaching
Credits: 0
Vocal coaching (for voice majors only) course numbers are VOIC 3015, VOIC 3116 , VOIC 4017 , VOIC 4118 . The instructor coaches the singer on diction and interpretation of art song and aria.
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VOIC 3100 - Private Study: Voice
Credits: 1
One half-hour lesson each week (14 per term) with a jury examination at the conclusion of each term. These repeatable course numbers are offered each fall, spring, and summer. Students are required to accept internships in performance or private teaching, subject to availability and/or scheduling conflicts with other SMU courses. Internships may begin prior to the beginning of the term.
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VOIC 3116 - Vocal Coaching
Credits: 1
Vocal coaching (for voice majors only) course numbers are VOIC 3015 , VOIC 3116, VOIC 4017 , VOIC 4118 . The instructor coaches the singer on diction and interpretation of art song and aria.
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VOIC 3200 - Private Study: Voice
Credits: 2
One 1-hour lesson each week (14 per term) with a jury examination at the conclusion of each term. These repeatable course numbers are offered each fall and spring. Majors are required to enroll in private studies each term until degree requirements are completed. Students are required to accept internships in performance or private teaching, subject to availability and/or scheduling conflicts with other SMU courses. Internships may begin prior to the beginning of the term.
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VOIC 4017 - Vocal Coaching
Credits: 0
Vocal coaching (for voice majors only) course numbers are VOIC 3015 , VOIC 3116 , VOIC 4017, VOIC 4118 . The instructor coaches the singer on diction and interpretation of art song and aria.
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VOIC 4118 - Vocal Coaching
Credits: 1
Vocal coaching (for voice majors only) course numbers are VOIC 3015 , VOIC 3116 , VOIC 4017 , VOIC 4118. The instructor coaches the singer on diction and interpretation of art song and aria.
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Women’s and Gender Studies |
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WGST 1395 - Special Topics Abroad in Women’s and Gender Studies
Credits: 3
Course offered in SMU-approved international programs. Prior approval by the director is required. A maximum of 3 credit hours may be applied toward the minor in women’s and gender studies.
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WGST 2309 - Lesbian and Gay Literature and Film: Minority Discourse and Social Power
Credits: 3
The exploration, through literature and film, of the struggles by gay men and lesbians to create social identities and achieve human rights. Study of key cultures and pivotal historical periods in the West from ancient Greece to contemporary America.
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WGST 2322 - Gender: Images and Perspectives
Credits: 3
An interdisciplinary examination of the ways femininity and masculinity have been represented in the past and present, with attention to what is constant and what changes.
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WGST 2395 - Special Topics Abroad in Women’s and Gender Studies
Credits: 3
Course offered in SMU-approved international programs. Prior approval by the director is required.
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WGST 3310 - Gender and Human Rights
Credits: 3
Introduction to global women’s human rights and other intersections of human rights and gender, such as abuse of children’s rights, gender-based violence, health and reproductive rights, and evolving concepts of sexual rights.
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WGST 3328 - Gender Violence: Anthropological Perspectives
Credits: 3
This course examines how gender-based violence shapes individual subjectivities and collective experiences, material realities, and psychological states, as well as the impacts of interventions on intimate, interpersonal, local, and global scales.
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WGST 3380 - Human Sexuality
Credits: 3
This course explores the biosocial aspects of human sexuality and sex behaviors. A multidisciplinary and cross-cultural perspective will be used to address a wide range of theoretical and pragmatic sexual issues.
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WGST 3395 - Special Topics Abroad in Women’s and Gender Studies
Credits: 3
Course offered in SMU-approved international programs. Prior approval by the director is required.
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WGST 4109 - Independent Study
Credits: 1
Supervised practicum and/or directed readings on specific problems or themes formulated by the student under faculty guidance. Director approval required.
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WGST 4209 - Independent Study
Credits: 2
Supervised practicum and/or directed readings on specific problems or themes formulated by the student under faculty guidance. Director approval required.
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WGST 4303 - Internship in Women’s and Gender Studies
Credits: 3
Offers experience with organizations serving women or addressing women’s and gender issues, with volunteer opportunities in the community, or with varied potential careers.
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WGST 4309 - Independent Study
Credits: 3
Supervised practicum and/or directed readings on specific problems or themes formulated by the student under faculty guidance. Director approval required.
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WGST 4395 - Special Topics Abroad in Women’s and Gender Studies
Credits: 3
Course offered in SMU-approved international programs. Prior approval by the director is required.
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WGST 5310 - Special Topics in Women’s and Gender Studies I
Credits: 3
Study of a theme, issue, or topic relevant to the study of women, gender, and/or sexuality. The syllabus and assignments must be approved by a committee consisting of the professor of record, the WGST director, and a faculty member who teaches courses in the WGST program. Prerequisite: Enrollment in the WGST Certificate Program.
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